Monday, December 7, 2009
Well...How Did I Get Here?
What I've Been Working on Lately...

Sunday, December 6, 2009
Let's Collaborate!
The first of these experiences was at Writeboard.com, in which I collaborated with a group to create and revise a "writeboard," which according to the website, are "shareable, web-based text documents that let you save every edit, roll back to any version, and easily compare changes." I found the software on the site to be both intuitive and easy to use. The group leader started us out with an initial, rudimentary document, and from there it gradually grew to the rather robust size it is now. Anyone from the group was allowed to edit and add to the document, and if significant changes were made, it was saved as the "newest" version. The older versions were all kept and displayed to the right of the page in chronological order, and a circle to the left of each version indicated how big the change was from the previous version, with a bigger circle signifying a bigger change:

I found this tool to be quite useful, and I used it for three important functions. The first was to compare the newest version with the next most recent, to get a sense of what the latest changes were. The second function was to compare any two chronological documents in the series, to see the specific contributions that were made by any one person. And the final function was to compare the newest version and the original version to really get a sense of all the changes that were made since the beginning of the process.

Thursday, December 3, 2009
Now You See It...Now You See Something Else

I am usually not too attracted to overly flashy or colorful visuals, so this minimalist design suited me as I slowly familiarized myself with the Blogger software and blogging as a whole. However, as I began to get more comfortable, I couldn't help but try my hand at a visual redesign of the blog. Below is the first redesign I made, which was nothing more than a simple change to the background and link colors:

It was pretty interesting to see how a simple and easy change of color scheme had a profound impact on the initial visual impression the blog. One thing I realized is that when changing the background color, you have to make sure the other color aspects on the page match the new color scheme. This might mean changing the link, title and text colors.
After making this first change, I decided to come up with a logo for the blog, which I did with this:

The background image is that of a music mixing board, which I found on the Internet. I changed it from a color image to black and white, increased the contrast, and then cropped it down considerably, all to hopefully have it fall under fair use. I chose this image since it went along with my blog's "music" and "sounding board" related theme. I then combined this with what I thought was a pretty "cool" looking font and uploaded the logo as an image file to replace the blog title, as seen here:

Eventually, I grew out of favor with the orange background, since it seemed a bit too heavy and had a "retro" feel that I wasn't really going for. I changed it to a nice shade of green that had a lighter hue and seemed to feel more current. It also brought out the text more and made the blog easier to read:

So as it is, I'm pretty content with the look of my blog right now, as it maintains a "minimalist" type feel with an emphasis on the words, but still has some visual stimulating elements to make it interesting and individually distinguished. There is, however, always room for further redesign, if nothing more than to break up the visual monotony and change things up now and again.
Monday, November 30, 2009
Is it Readable or Not?
A readability assessment of a given document can provide a pretty quick and effective way to determine its potential suitability for a specific audience. However, these assessments can really only determine if something is "not usable." If a readability test calculates that a document is beyond the reading level of the intended audience, then it would be safe to assume that the audience will have trouble getting through the text. It wouldn't matter if the other elements of the document are appropriate for the audience; if the audience can't read it, then it's not usable!
However, if a readability assessment determines that the reading level of the document is within the range of the reading level of the intended audience, it would not be safe to assume that the document is totally usable. This is because there are so many other factors that readability formulas can't take into consideration, such as the document layout, the complexity of the concepts, the audience's interest and knowledge of the material, potential gender or racial biases, and so on. If something is unusable in one area, then it is generally unusable as a whole; thus, one cannot only use a readability assessment to determine a document's usability.
What this means is that readability assessments don't really have much bearing or relevance beyond what they have specifically been designed to measure--that is, the readability of the text. They would not be very effective in assessing the visual design elements of a document. This is because design elements are generally subjective and much harder to define; as such, they cannot be mathematically quantified the same way readability elements are. Nor does the readability of a document imply anything about the actual quality of the writing. Just because a document is potentially readable doesn't mean it is any good or even worth reading in the first place. While readability assessments do have a role to play in the field of usability testing, it is a very specific role; attempts to make use of them beyond this could potentially yield unreliable results.
Wednesday, November 4, 2009
My Kind of Website
After taking this Index of Learning Styles Questionnaire, it was revealed that I was a highly Reflective and Global learner and a moderately high Intuitive and Verbal learner. Using these descriptions of the different learning styles as a guiding tool, I went about designing my website so that it would best be utilized by an audience with these particular learning styles.
In general, my website is designed to present information in a broad, conceptual manner. This is partially achieved by having the key important terms stand out, which are first seen on the page as bolded text, as such:

When these terms are "moused over," more information and an additional description is revealed. This is illustrated below, showing how the page looks when the cursor hovers over the the bolded term "Music Library" at the bottom of the page:

In addition, there is a separate "Important Terms" page that collects all of the bolded terms used throughout the site and presents them in a dictionary-like format. This uses language to enhance the visual aspects of the page, which aids the verbal learner:

In keeping with this theme, a universal aspect of the website's design is that all of the navigational icons are enhanced with text, as seen here:


Site navigation is also presented in outline format with clickable text, as opposed to images or icons. In terms of the background and color scheme, pale yellows and grays give the page a muted look, causing the text to stand out as hierarchically dominant. All of this plays to the strengths of the verbal learner, who generally prefer words to images. This does not mean that there is no use for visuals; rather, the optimum learning experience is to strike the right balance between both verbal and visual information. This is the point in having all the images enhanced with additional text.
I also employed design features that were helpful to the other ends of the learning spectrum. Attachments of actual licensing contracts give practical examples of the issues discussed, which encourages the "sensing" learner who prefers to see connections to the real world. In addition, pages are presented in a logical, sequenced order, which helps the "sequential" learner. Employing these design features helps to broaden the reach of the website and also challenges the other types of learner to overcome their limitations.
As this was my first foray into web design, it was quite useful to have this background knowledge on how to use design elements so that they are geared towards a certain audience. This helped me develop a focused site that should specifically appeal to learners like myself but also be accessible to a general audience.
Wednesday, October 28, 2009
Judging an Album by its Cover
An album cover is a representational illustration that was logically packaged with a record or CD to enhance the overall artistic product. These images helped to create an iconography for what was otherwise a strictly aural experience, and they also defined and set apart each album in a visual sense. However, with the advent of the MP3 and digital downloading, album covers were no longer needed in the same way. One can buy and listen to an album without ever needing to know what the CD cover looks like, yet digital album covers are still frequently used in the online music marketplace.
Within digital stores such as iTunes, album covers can function as icons in helping with navigation. Taking a look at the screenshot below, we can see the album covers dominate the storefront:
By clicking on each cover, we are taken to the corresponding page where that album can be actually purchased, as seen here after clicking on one of the images:
By using the album cover as the means for online navigation and purchasing, the online music buying experience is linked to the real world, recreating the feeling of being in a physical record store and rummaging through the CD's and glancing at the different covers.
This use of album covers as icons for navigation can also be seen in music review websites such as Pitchfork, as seen below on a section of their homepage:
Each cover is a corresponding link to a review for that album or track. However, unless the title and band name are actually included within the image, you must scroll over the album cover to see this information. As seen below, when the album on the far right is scrolled over, the artist and album name are displayed along with the corresponding review score:
This does not seem to add much in terms of ease of navigation, as it would be easier to see the artist and album name by just listing it as text without the corresponding image. However, by using the album cover, Pitchfork is maintaining the visual traditions of the art being packaged with the music to create one unified product. This can also be seen in their individual album review pages, which all prominently display the album cover, as seen here:
This last online use of album covers fulfills their traditional role as representational illustrations that create a visual iconography to be associated with the music. By keeping with this tradition, Pitchfork and other music websites are maintaining the richness and credibility of music consumption by making the online experience similar to the real world one.